{"id":328,"date":"2023-11-24T09:45:40","date_gmt":"2023-11-24T09:45:40","guid":{"rendered":"https:\/\/florentinginot.com\/disturbance-copy\/"},"modified":"2024-12-18T14:00:32","modified_gmt":"2024-12-18T14:00:32","slug":"bach","status":"publish","type":"post","link":"https:\/\/florentinginot.com\/en\/bach\/","title":{"rendered":"Bach +"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":311,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"class_list":["post-328","post","type-post","status-publish","has-post-thumbnail","hentry","category-projets"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    0,\r\n    0,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 20,\r\n  \"leftFrameMargin\": 1,\r\n  \"rightFrameMargin\": 1,\r\n  \"topFrameMargin\": 100,\r\n  \"bottomFrameMargin\": 10,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 3\r\n    },\r\n    {\r\n      \"relid\": 2\r\n    },\r\n    {\r\n      \"relid\": 1\r\n    },\r\n    {\r\n      \"relid\": 9\r\n    },\r\n    {\r\n      \"relid\": 6\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"html\",\r\n      \"cont\": \"<iframe width=\\\"100%\\\" height=\\\"800px\\\" src=\\\"https:\/\/www.youtube.com\/embed\/maDgVXxV1b0?si=NychkOV2TYcMXyOa&autoplay=1&mute=1\\\" title=\\\"YouTube video player\\\" frameborder=\\\"0\\\" allow=\\\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\\\" allowfullscreen><\/iframe>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"panelPosition\": {\r\n        \"width\": 1360.8,\r\n        \"height\": 745.1999999999999,\r\n        \"left\": \"75.60000000000002px\",\r\n        \"top\": \"41.400000000000034px\",\r\n        \"transform\": \"none\"\r\n      },\r\n      \"panelBodyHeight\": {\r\n        \"height\": \"609.1999999999999px\"\r\n      },\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"both\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_project_title\\\"><span>Bach +<\/span><span>\u00a0| 2023<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span><span class=\\\"_quote\\\">\\\"Caminante, no hay camino, se hace camino al andar\\\"<\/span><br \/>\u2014Antonio Machado<\/span><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Exploration adopts some surprising paths, and we will never be tired of allowing our choices to be guided by experimentation.<\/p><p>The luminous modernity of the music of Heinrich Ignaz Biber rapidly appeared to me as a sensitive tool of discovery: a free, extravagant music that appears entirely natural in contrast to the rigour of Partita No. 2 in D minor BWV 1004 by Johann Sebastian Bach; a Passacaglia which finds its natural counterpart in the Ciaccona; an opening of the sound spectrum as an unusual aesthetic project; the Variatio as a leitmotif that ever obstinately returns. \u00a0<\/p><p>It is in this setting that we place the adaptation of the Partitas for violin, a solitary cycle if there ever was one: dealing with the complex constructions of the German composer, juggling with the timbres, sonorities and dampenings; rediscovering the spectral and harmonic virtuosities. The earthly sound must seize the five dances, described thus by the choreographer Anne Teresa De Keersmaeker: \u201cThe Allemande makes us walk, the Courante makes us run, the Sarabande bends us to all kinds of motifs and the implacable Ciaccona flings us into jubilant circular races!\u201d.<\/p><p>As a counterpoint to the two baroque musicians, the evening will be enhanced by improvised interludes combining the bow with the harmonies of analogue synthesizers.<\/p><p>The double bass is an instrument with a chaotic history outside the norms, littered with metamorphoses. In the image of the stylus phantasticus to which Biber is associated, its trajectory is filled with inventions (in instrument-making), transformations (scordatura), experiments and failures of every sort. The double bass emerges from a particularly special and creative anarchy, and its player wields a fertile terrain in which everything remains to be invented.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>J.S. Bach<\/p><ul><li>Partitas n\u00b01 and n\u00b02 for violin, excerpts<\/li><li>Suites for cello n\u00b04 and n\u00b05, excerpts<\/li><\/ul><p>H.F. Biber<\/p><ul><li>Passacaille<\/li><li>Sonata n\u00b02, excerpts<\/li><li>Improvisations for double bass and electronics<\/li><\/ul>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/posts\/328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/comments?post=328"}],"version-history":[{"count":0,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/posts\/328\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/media\/311"}],"wp:attachment":[{"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/media?parent=328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/categories?post=328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/tags?post=328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}