{"id":182,"date":"2021-07-12T05:32:34","date_gmt":"2021-07-12T05:32:34","guid":{"rendered":"https:\/\/florentinginot.com\/?p=182"},"modified":"2024-06-17T14:11:56","modified_gmt":"2024-06-17T14:11:56","slug":"sibylle","status":"publish","type":"post","link":"https:\/\/florentinginot.com\/en\/sibylle\/","title":{"rendered":"Instantan\u00e9s vol.2 : Sibylle"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":318,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"class_list":["post-182","post","type-post","status-publish","has-post-thumbnail","hentry","category-projets"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 0,\r\n 5,\r\n 5\r\n ],\r\n \"frameMargin\": 20,\r\n \"leftFrameMargin\": 1,\r\n \"rightFrameMargin\": 1,\r\n \"topFrameMargin\": 100,\r\n \"bottomFrameMargin\": 10,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 1\r\n },\r\n {\r\n \"relid\": 6\r\n },\r\n {\r\n \"relid\": 2\r\n },\r\n {\r\n \"relid\": 5\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 471,\r\n \"carousel_options\": {\r\n \"random\": false,\r\n \"autoplay\": false,\r\n \"showMultipleSlides\": false,\r\n \"freeScroll\": false,\r\n \"size\": \"aspectRatioOfFirstElement\",\r\n \"slidesWidth\": \"null\",\r\n \"transition\": \"sliding\"\r\n },\r\n \"carousel\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 183,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/07\/Jubran-2-large.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/07\/Jubran-2-large.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/07\/Jubran-2-large-1024x638.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/07\/Jubran-2-large-768x479.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/07\/Jubran-2-large-512x319.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/07\/Jubran-2-large-265x165.jpg\"\r\n },\r\n \"w\": 1192,\r\n \"h\": 743,\r\n \"ar\": 0.6233221476510067,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 175,\r\n \"cont\": \"\/wp-content\/uploads\/2020\/10\/07-compress\u00e9e.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2020\/10\/07-compress\u00e9e.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2020\/10\/07-compress\u00e9e-2560x1707.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2020\/10\/07-compress\u00e9e-1920x1280.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2020\/10\/07-compress\u00e9e-1280x853.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2020\/10\/07-compress\u00e9e-1024x683.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2020\/10\/07-compress\u00e9e-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2020\/10\/07-compress\u00e9e-512x341.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2020\/10\/07-compress\u00e9e-265x177.jpg\"\r\n },\r\n \"w\": 3097,\r\n \"h\": 2065,\r\n \"ar\": 0.6667742977074589,\r\n \"alt\": \"\"\r\n }\r\n ],\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Instantan\u00e9s Vol.2 : Sibylle | 2021<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

(ENGLISH VERSION AVAILABLE SOON)<\/p>

La collection\u00a0de 3 spectacles \u00ab\u00a0Instantan\u00e9s\u00a0\u00bb s\u2019inscrit dans la ligne de HowNow depuis sa cr\u00e9ation, en proposant une s\u00e9rie de rencontres\u00a0pluridisciplinaires. A partir de moyens simples, centr\u00e9s sur les corps performatifs\u00a0-pas d\u2019\u00e9l\u00e9ments sc\u00e9nographiques, une cr\u00e9ation lumi\u00e8res \u00e9pur\u00e9e-, chacun des spectacles est le r\u00e9sultat d\u2019une collaboration\u00a0entre un.e jeune chor\u00e9graphe et les musiciens, \u00e0 partir d\u2019une monographie issue du r\u00e9pertoire baroque au r\u00e9pertoire moderne et contemporain. Du duo au sextet, les effectifs varient. La mati\u00e8re sonore est enti\u00e8rement amplifi\u00e9e.<\/p>

Le premier volet, Folia, mettait en regard une chor\u00e9graphie originale de Soa Ratsifandrihana\u00a0avec une monographie de Marin Marais sur instruments traditionnels, anciens et modernes. Commande de la Philharmonie de Cologne, Foliaa \u00e9t\u00e9 cr\u00e9\u00e9 le 29 ao\u00fbt 2020.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 472,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Vol. 2\u00a0: Sibylle<\/p>

Le 2e\u00a0<\/sup>volet de la collection Instantan\u00e9s\u00a0est une ouverture vers un nouvel univers.<\/p>

Dans une esth\u00e9tique de mouvements qui se rapproche tant\u00f4t du hip hop,\u00a0tant\u00f4t du contemporain, la recherche d\u2019une modularit\u00e9 dans les trames chor\u00e9graphiques, en r\u00e9sonnance avec la libert\u00e9 musicale de mati\u00e8res en partie improvis\u00e9es, devient le centre des recherches des danseuses Soa Ratsifandrihana et Asha Thomas. Cet aspect avait \u00e9t\u00e9 \u00e9bauch\u00e9 dans Folia, \u00e0 travers des s\u00e9quences gestuelles \u00e0 combinatoires variables. Elle trouvera une toute autre dimension dans ce nouveau volet dont la musique est enti\u00e8rement issue des traditions orales. L\u2019\u00e9criture modulaire\u00a0de la trame chor\u00e9graphique maintient ainsi le rapport musique\/danse dans un \u00e9quilibre mouvant.<\/p>

C\u2019est dans ce contexte que Florentin Ginot a invit\u00e9 la chanteuse et oudiste palestinienne Kamilya Jubran\u00a0\u00e0 faire dialoguer son art avec des chants anonymes m\u00e9di\u00e9vaux, \u00e0 commencer par le Chant de la Sibylle. L\u2019\u00e9change entre musique et mouvements prendra sa source dans les notions d\u2019improvisations\u00a0et d\u2019ornementation,\u00a0inh\u00e9rente \u00e0 cette musique, notions de libert\u00e9 que l\u2019on retrouve aujourd\u2019hui sous un tout autre angle dans la tradition musicale arabe moderne, a priori pourtant si \u00e9loign\u00e9e temporellement et g\u00e9ographiquement.<\/p>

Un espace fluide s\u2019entre-ouvre o\u00f9 corps musicaux et chor\u00e9graphiques\u00a0entrent en dialogue, en r\u00e9sistance ou en phase. Les gestes se r\u00e9p\u00e8tent et se transforment, s\u2019unissent comme ils se d\u00e9robent. La danse anticipe, se fait l\u2019\u00e9cho avant de donner une nouvelle direction aux progressions musicales. Structure chor\u00e9graphique ajustable selon l\u2019espace dans lequel l\u2019Instantan\u00e9\u00a0est jou\u00e9, les choix d'interpr\u00e9tation varient. L\u2019attention port\u00e9e \u00e0 la temporalit\u00e9 des gestes invite les musiciens \u00e0 tendre l\u2019oreille aux propositions des danseuses, et la concentration apport\u00e9e au jeu des uns et des autres devient le centre de gravit\u00e9 du projet. Du solo au sextet, les musiques des corps\u00a0et des instruments se relaient, cr\u00e9ant un tissu sonore et visuel mall\u00e9able et singulier.\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 6,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 8,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Production<\/td>HowNow<\/td><\/tr>
Co-production\u00a0<\/td>Fondation de Royaumont<\/td><\/tr>
Soutien<\/td>Minist\u00e8re de la Culture-DRAC IDF<\/td><\/tr>
Concept, contrebasse<\/td>Florentin Ginot<\/td><\/tr>
Compositions, oud & voix<\/td>Kamilya Jubran<\/td><\/tr>
Chor\u00e9graphie, danse<\/td>Soa Ratsifandrihana<\/td><\/tr>
Danse<\/td>Asha Thomas \/ Germain Zambi (en alternance)<\/td><\/tr>
Percussions<\/td>Mich\u00e8le Claude<\/td><\/tr>
Direction du son<\/td>Martin Antiphon<\/td><\/tr>
Cr\u00e9ation lumi\u00e8re<\/td>Marie-H\u00e9l\u00e8ne Pinon<\/td><\/tr><\/tbody><\/table>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/posts\/182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/comments?post=182"}],"version-history":[{"count":0,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/posts\/182\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/media\/318"}],"wp:attachment":[{"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/media?parent=182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/categories?post=182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/florentinginot.com\/en\/wp-json\/wp\/v2\/tags?post=182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}